There just seems to be alot of "talk" and little done that enhances our community. It's just unfortunate that what gets the most attention is a David Mamet play and not a fresh new movement piece.
Yes, a sense of false elitism does exist here, and it's old news. But thinking about it occasionally bugs me, when I observe directors looking more for a box office draw than a true ensemble. But really, I don't blame them: I'd want to work with people I know and trust. TRUST is HUGE.
I auditioned for someone with their own theatre group, and while it was nice to see them for the first time in a few years, the promise of "you'll hear from me either way" truly rang hollow. Of course I didn't hear jack-shit. What bugs me even more is that I found that of the handful of actors they were looking for, they only cast one from the initial audition. I mean, there were quite a few eager actors on that audition list. I can't believe they couldn't find what they were looking for from that list. Would I feel the same if I was the one out of, say, 50 actors cast? Probably not, but knowing what I know now it ticks me off. Just another contribution to the false elitism.
And, since it is a "false sense", it doesn't define me or my acting career. I just need to be more aware of with who, what and where I work and play. Lesson learned. And now a little more peace for my soul... :)

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